Franco Spoto has sung extensively throughout the United States, Canada and Europe in concert, musical theater and opera. Among many highlights were concerts as soloist with The New York Philharmonic conducted by Leonard Bernstein. He has appeared with the Goldovsky, Cleveland, Lake George, Providence, Washington Civic and Charleston Opera Companies, The Opera Orchestra of New York, The Little Orchestra Society, The New York Chamber Soloists, The Brooklyn Philharmonia, The Sacred Music Society of New York, The New Hampshire Music Festival and The Arkansas Orchestra Society, among many others.
He was seen as Ciccio and Giuseppe in a highly acclaimed revival of The Most Happy Fella at the Majestic Theater on Broadway, later presented nationally on the "Great Performances" series on PBS. There soon followed a stint with Sammy Cahn in his review, "Sammy Cahn, Words and Music". Franco then created his own shows, which he has given on over 1000 stages across the U.S. and Canada, on many cruise lines and a series of sold-out headline engagements at the Circus Maximus, Caesar's, Atlantic City.
Born of a Sicilian father and English-Canadian mother and raised in the United States, Franco draws his repertoire from standard and contemporary hits, favorite Broadway shows, operas and familiar international tunes in many languages including Italian, Spanish, French, German and Russian.
Along the way Franco has found time for instructing in music theory, conducting and singing at Bluffton College (now Bluffton University) in Bluffton, Ohio, private coaching, a stint as Artistic Director of an arts center, a variety of radio and television commercials and writing for magazines on the impact of classical video.
A unique talent, in demand on the finest concert and theatrical stages, Franco Spoto consistently demonstrates the high levels of artistry and versatility that mark a world-class entertainer.
SHORT RESUME OF THEATRICAL EXPERIENCE
On Broadway The Most Happy Fella, The Majestic Theater, Ciccio (Giuiseppe, Doc, covers)
Regional Theater The Merry Widow, Camille The Student Prince, The Prince Fanny, Marius Man of La Mancha, The Padre Carousel, Mr. Snow The Beggars Opera, Filch Pirates of Penzance, Frederick HMS Pinafore, Ralph The Mikado, Nanki Poo
Opera La Bohème, Giacomo Puccini, Rodolfo Madama Butterfly, Puccini, Lt. Pinkerton La Rondine, Puccini Gianni Schicchi, Puccini La Traviata, Giuseppe Verdi, Alfredo Rigoletto, Verdi, Il Duca Carmen, George Bizet, Don José Il Barbiere di Siviglia, Gioacchino Rossini, Almaviva Don Pasquale, Gaetano Donizetti, Ernesto The Magic Flute, Mozart, Tamino Don Giovanni, Mozart, Don Ottavio The Tender Land, Aaron Copland, Martin Susannah, Carlisle Floyd, Sam Polk
B.Mus., Oberlin College Conservatory of Music
Graduate Study, Professional Studies Program, The Juilliard School
|
"As José, Spoto poured out lovely sounds. Vocally, one of the production's highlights was the Flower Song from Act Two, which Spoto sang with ardor." William H. Star, "The State" Columbia, SC (Carmen)
"Spoto was equally
impressive as Alfredo, giving a totally involved performance, both
vocally and dramatically. He sang elegantly, revealing a lyric tenor
voice of considerable beauty." Nicholas Groth, "Opera Canada" (La Traviata)
"Spoto is a fine
leading man with a big, fully dimensioned tenor that carries the lovely
Romberg melodies to their full potential." Martin P. Kelly, "The Times Union", Albany, NY (The Student Prince)
|